I’ll admit it wasn’t at all what I was expecting. In fact I thought it was going to be an homage to Hitchcock, because of the title. Instead I was surprised to find an intricate story, actually a Russian doll like story. It was a story based on a classic story, which in turn had a story inside it. Very much a Faberge egg of literary surprises, and most certainly an homage to the legacy of Emily Brontë.
What flows throughout the book is the love, adoration and admiration Coleman has for the Brontë sisters, in particular Emily Brontë’s Wuthering Heights, and of course Ponden Hall. Historical facts are woven into the fictional story seamlessly to the point where the reader is absolutely on board with the possibility that it could be true. And I also admit to googling pics of Ponden Hall, the bed and the window, after reading this.
One of points the author builds into the plot is the question about whether antique and first edition books should be kept secluded from the public in private collections or should the public be allowed to enjoy the magical pleasure of such precious items. There is something mystical about seeing (touching is not allowed) and being around antique books.
This is a ghost story, a thriller, and it’s historical fiction. It is also very much a love story – love for Emily Brontë. There are parallels between the story Emily finds and the one she writes. The destructive power of obsessive love, which readers often read with a romantic pair of spectacles on instead of seeing things in the cold light of day. It’s certainly a captivating read.
Buy The Girl at the Window at Amazon Uk or go to Goodreads for any other retailer. Publisher: Ebury Press – Paperback pub date 8 Aug. 2019. Ebury Digital pub date 27 Jun. 2019. Buy at Amazon com.
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