#Blogtour She, You, I by Sally Keeble

 It’s a pleasure to take part in the BlogTour She, You, I by Sally Keeble

About the Author

Sally writes about the things she’s passionate about—the triumphs and tragedies of people’s everyday lives. It’s what originally took her into journalism and then politics, and keeps her active there still.

Growing up in a diplomatic family, she spent much of her early years in the USA, Switzerland and Australia, returning home to the UK after working as a journalist in South Africa. She made the switch from journalism to politics, first as a South London council leader during the turbulent 1980s and then as one of the big intake of Labour women MPs who changed the face of British politics in 1997. She became a minister in local government and then international development.

Itchy feet don’t stand still. After losing her seat, she set up an international development agency for the Anglican Communion, and travelled widely, especially in Africa and South Asia. She’s written nonfiction previously, especially on women’s issues and social policy, but “She, You, I” is her first novel. To learn about creative writing, she did courses with City Lit and Jericho Writers, and has had pieces of flash fiction shortlisted in competitions. 

Some of the storylines in “She, You, I” draw from insights gained from her personal and political life. Sally splits her time between Northampton, where she was MP, and Bawdsey, a village in coastal Suffolk close to her family roots. She and her husband Andrew have two adult children. Follow @Sally_Keeble on Twitter

About the book

When Skye Stanhope returns to her grandmother’s childhood home, she’s looking for the roots of her life story. Why her tough-minded granny Maisie ran away to war. And why her brilliant mother Isla died. Her search for the truth stretches across almost a century of conflict, peace, boomtime and bust, into the uneasy calm of post pandemic Britain.

“She, You, I” is the debut novel of Sally Keeble, a former journalist and MP. She has written non-fiction previously, focussing on social and feminist issues, and many of these themes run through her novel.

For Maisie, signing up to fight in the second world war provides a way to escape poverty and violence at home. But she finds herself caught up in new tragedy, and her unresolved grief is played out in the lives of her own daughters. It’s only in the third generation that her granddaughter Skye is able to heal the wounds. Woven through the women’s lives is Hsiao Ling, a seamstress whose ancestor disappeared in wartime France.

It’s an emotional journey, from a Scottish tenement to an airbase in wartime Suffolk, through London’s fashion and finance industries, to a coffee cart by the south coast. Through each woman’s story, “She, You, I” holds up a mirror to the complexity of family relationships and answers the question, How many generations does it take to recover from abuse.

For the author, “She, You, I” is a chance to explore in fiction some of the issues that she campaigned on during her time in politics. It shows how women’s lives have changed, and the challenges we’ve faced. It also tells a story of hope and reconciliation that aims to make readers laugh as well as cry.

Review

I have to admit it wasn’t what I expected or presumed it would be, which was a story about women, their loves, their children and grandchildren. A Catherine Cookson with plenty of upheaval and a fulfilling ending to the heartbreak and sorrow. Not that it wouldn’t have been a good read, but this is so much more.

The author picks apart the generational trauma that simmers quietly underneath and becomes evident in different ways, as the torch is passed through the decades and the changes in the world. How the love between mother and daughter can be both an unbreakable twine that defines their relationship, and simultaneously be a precarious string burdened by guilt, anger and disbelief. 

Also the way these emotions and trauma are passed on via the relationships, despite younger generations being unaware of said burden. The experiences of a child with their parent/s define the person they become and how they navigate their own lives, expectations and relationships moving forward.

I enjoyed the lack of drama, the way each era and daughter is written as their own scene and story almost. A staccato experience of chapters – Kodak moments of personalities and key moments or events. The author has captured the nuances and complexities with a brusque accuracy and also the often forgotten element of six degrees of separation. 

I really enjoyed it. I think it spoke to me because it didn’t focus on the reason for the destruction and cause of the trauma, but rather on the denial, coping mechanisms, and the way women have been taught to make do with the cards we are dealt. You made your bed, now you must lay in it. As the women in the family move beyond that mentality the strength and determination lets them create their intended path. Blood and family doesn’t mean loyalty and blind acceptance, especially if doing so means your own downfall.

Buy She, You, I at Amazon Uk or go to Goodreads for any other retailer. Publisher ‏: ‎Eleanor Press, pub date 11 Jan. 2023. Buy at Amazon com.

#BlogTour The Change by Kirsten Miller

It’s an absolute pleasure to take part in the Blogtour The Change by Kirsten Miller.

About the Author

Kirsten Miller is an outstanding feminist author in the YA and children’s space, who spent twenty-five years as a strategist in the advertising industry. During that time, she worked for some of the largest agencies in the world – including J Walter Thompson, DDB, Lowe, and Ogilvy & Mather – as well as boutique agencies and an eight-person start-up. 

She’s proud to have quit a senior job at one of the most famous ad agencies in America over an ad that’s described in The Change. The Change is her first adult novel. Follow @bankstirregular on Twitter

About the book

Nessa: The Seeker, Harriett: The Punisher, Jo: The Protector – with new-found powers the time has come to take matters into their own hands…

After Nessa is widowed and her daughters leave for college, she’s left alone in her house near the ocean. In the quiet hours, she hears voices belonging to the dead – who will speak to her.

On the cusp of fifty Harriett’s marriage and career imploded, and she hasn’t left her house in months. But her life is far from over – in fact, she’s undergone a stunning metamorphosis.

Jo spent thirty years at war with her body. The rage that arrived with menopause felt like the last straw – until she discovers she’s able to channel it.

Guided by voices only Nessa can hear, the trio discover the abandoned body of a teenage girl. The police have written off the victim. But the women have not. Their own investigations lead them to more bodies and a world and wealth where the rules don’t apply – and the realisation that laws are designed to protect villains, not the vulnerable.

Review

This has got to be one of the most interesting melding of genres I have read in a long time. It’s a tale of empowerment, of sisterhood, and of being invisible in plain sight. It’s also a tale of the biological monster that lurks within us and how easy it is to dismiss women when they hit a certain age, and of course how many girls and women sink into the pages of history without leaving a footnote behind. there’s a reason for that of course, one that is ingrained deep into society.

Jo, Nessa and Harriett couldn’t be more different, and yet there is a common denominator. The kind of bond that links all women, because although some elements may be different there is no escaping certain biological changes or womanhood in general.

Harriett is considered to be the betrayed woman, who has lost her sanity and acquired a bit of a reputation in town. Jo has always been at odds with the way her life has been controlled by her body, now it’s time to channel the rage that burns within her. Then there is Nessa, the woman with a gift of bringing members of the sisterhood home, when they are lost.

If this is optioned for the screen, and it absolutely should be, then I hope that the powers that be cast women of an appropriate age-range, and not younger women acting said age. If not, the whole concept and story would be submerged in the industry norm, and it would lose the power it contains and emits.

I enjoyed it so much I have bought copies for women who need to read this – it hits a lot of the right notes when it comes to reaching a certain age as a woman, and indeed when they start to navigate the erratic and bountiful nuances of the change. Yes, I am being simultaneously polite and facetious when it comes to the great biological power of the menopause.

Even if this is a story filled with magical realism, built upon a foundation of women and their individual experiences, which are often similar in tone and nature, it is also a riveting story of mystery and murder. A crime read with the frank intensity of Blackwell’s Sound of her Voice. The truth about the worth of girls, women and their lives, and how expendable they are. It gives this read the feel of an intense thriller.

The true intensity however is driven by the power within each woman. The comparison between the powers and the upheavals women go through during life and the change is really well written. Ah, were we but able to throw off the invisible chains of societal norms and misconceptions, to avert the labels of crazy, angry or vengeful.

I can’t recommend this enough – it is an incredible read. 

Buy The Change at Amazon Uk or go to Goodreads for any other retailer. Buy at Amazon com. Buy via Harper Collins.