Today it’s a pleasure to take part in the BlogTour for Cage, the last part of the Reykjavik Noir Trilogy, by Lilja Sigurdardóttir.
Icelandic crime-writer Lilja Sigurdardóttir was born in the town of Akranes in 1972 and raised in Mexico, Sweden, Spain and Iceland. An award-winning playwright, Lilja has written four crime novels, including Snare and Trap, the first two books in the Reykjavik Noir trilogy, which have hit bestseller lists worldwide. The film rights have been bought by Palomar Pictures in California. She lives in Reykjavík with her partner.
A masterful conclusion to the award-winning, critically acclaimed Reykjavík Noir trilogy, as drug-smuggling, financial crime, political intrigue, love, murder and betrayal come together.
The prison doors slam shut behind Agla, when her sentence for financial misconduct ends, but her lover Sonja is not there to meet her. As a group of foreign businessmen tries to draw Agla into an ingenious fraud that stretches from Iceland around the world, Agla and her former nemesis María find the stakes being raised at a terrifying speed. Ruthless entrepreneur Ingimar will stop at nothing to protect his empire, but he has no idea about the powder keg he is sitting on in his own home. And at the same time, a deadly threat to Sonja and her family brings her from London back to Iceland, where she needs to settle scores with longstanding adversaries if she wants to stay alive…
Cage can be read as a standalone novel, although I would suggest reading the previous two books in this trilogy, Trap and Snare, to get the full gist of the series. Whilst the majority of the two previous books in this trilogy focus on the character of Sonja, especially Snare, this one sees Agla and Maria take more of a centre stage.
Although the vibe of this book is perhaps slightly less ruthless, there is just as much wheeling, dealing and criminal activity. Agla is still wanted for her talents in corporate and financial crime, although I think it’s fair to say Agla’s relationship with Sonja and her stint in prison have changed her outlook on life.
It’s interesting how Sonja has morphed, during the duration of the trilogy, into the person her nemesis wanted her to be. She has become more brusque and ruthless or is it just her willingness to do anything she can to save her family and herself? To do that she has to make some uncomfortable decisions, which include her relationship with Agla.
It’s Scandinavian Noir, a corporate, financial and urban crime trilogy with feisty, but not necessarily sympathetic characters. Sigurdardóttir brings this series to a strangely comforting conclusion, perhaps not the one some readers may have expected, given how harsh some of the scenarios have been, but a conclusion nonetheless.
This author has a talent for bringing the underbelly of crime as it pertains to the small fish and those without sociopathic tendencies to the table. The result is the kind of crime read that is as unpredictable and at times as dark and unforgiving as crime itself.