It’s a pleasure to take part in the BlogTour Note to Boy by Sue Clark.
Sue Clark has grilled John Humphreys, quipped with Ronnie Corbett, danced with one James Bond and had a one-sided conversation with another, and penned funny lines for the likes of Lenny Henry, June Whitfield, Roy Hudd and David Jason.
She’s been a BBC radio and TV comedy scriptwriter on such shows such as Alas Smith and Jones, Weekending, The News Huddlines and The Jason Explanation, a copywriter, a PR, a journalist, a magazine editor, a writer of guidebooks, a secretary and was, briefly, paid to read books all day long for a film producer. And now she’s written a novel.
About the book
Eloise is an erratic, faded fashionista. Bradley is a glum but wily teenager.
In need of help to write her racy 1960s memoirs, the former ‘shock frock’ fashion guru tolerates his common ways. Unable to remember his name, she calls him Boy. Desperate to escape a brutal home life, he puts up with her bossiness and confusing notes.
Both guard secrets. How did she lose her fame and fortune? What’s he scheming – beyond getting his hands on her bank card? And just what’s hidden in that mysterious locked room?
What could a teenager with an attitude and an elderly woman who is incapable of looking after herself have in common? It doesn’t seem like a lot. Bradley wants the job because he is on a long road to nowhere and helping Eloise could lead to an opportunity. Helping her to write an autobiography of sorts gives him a chance to get to know the woman behind the mood swings, the erratic behaviour and he then sees the eccentric fashion icon with entirely different eyes.
I have to say that I didn’t experience this as a read full of comedic moments, but rather one full of poignant realistic moments. However I can absolutely picture this on the screen, and I hope someone sees the potential in this – The Lady in the Van kind of eccentricity coupled with a young man trying to grip the one possible straw that might take him out of his set-in-stone future of violence and deprivation.
Also the subtle note of white privilege and covert racism that is woven into the tale. It solidifies the the differences between the odd couple. The almost colonialist comments from Eloise and the teenager with a lack of education and nearly no chance of achieving anything other than a life in crime. Moments that can be overcome.
I really enjoyed this story, perhaps because it was easy to picture both main characters so well. Eloise is an excellent example of the loophole of invisibility the elderly vanish into, even when they have made their mark on the world. Even after spending their youth and primary years being successful or in the case of Eloise becoming a part of fashion history.
Clark hits exactly the right notes when it comes to the complex relationship between Bradley and Eloise. The trust issues, the need to protect and simultaneously the more selfish motivation Bradley is driven by. This is an excellent social commentary.